Humour is such a personal thing. Sometimes I worry that my idea of what is funny is quite different to other people’s. In fact, sometimes I say stuff on Twitter that I’m pretty sure people don’t even realise is intended as a joke. They think I’m serious, as well as a bit stupid. That’s my sense of humour.
This is what probably gets in the way when I try to sell my humorous stories. I guess editors don’t realise they are meant to be funny, or worse, they do realise but the story just isn’t funny (to them). Logic tells me to pull the plug on writing funny stories, but they just keep slipping out, like SBD’s you can’t hold back.
I’ve just penned another, and I’ve sent it out, but I can almost picture the eye-roll as the editor reads it. I really should stop subjecting all of us to dealing with them. Having said that, I have sold a few my-version-of-funny stories, however I’ve never been complemented on any of them.
Perhaps I should clear a special place in my bottom drawer for my humorous writing? Or, better yet, maybe I should try to publish them under a different name. It would have to be a silly name… silly but accidentally clever. Sounds like a project for this week.
Look, I’m not going to make the week 3 target either, but I’m still at a higher word count than I’ve ever managed for a WriMo before, so I’m not too worried. Also I know what I’m like; when I see the end I’ll make a run for it and push out a lot more words. With any luck we won’t continue to have as many days over 40°C in the next week and a half either. Okay, enough with the excuses…
The project I’ve picked to work on is a pantser novel (no plan). I chose this because my previous experience with a pantser project was the fastest I’ve ever written a novel. But even then, it took nearly 3 months. Part of the reason why is that I was working full-time, but the other part is because I really turned stuff over in my head before I sat down and wrote. 31 days of January doesn’t give you as much time to do that.
My new way to counter this (only started this week), as well as getting a little more exercise, is to go for a dawn walk. It’s summer here, so dawn is the best time to walk because of the heat, but with all the birds singing around you it is also really inspiring to start thinking about what the novel is going to do next. I realise that I used to do this on the bus ride when I was working, and that was missing in my #JanNoWriMo equation.
So yes, the word count is not on track, but I always knew week 2 and 3 would be bad, so I’m not letting it get to me. I think I’ll get there in the end. I’m also getting to know my community a bit more; there are a lot of dawn walkers out there. I wonder if any of them are trying to write novels?
I always knew that week 2 would be hard. This is when the excitement of starting has waned, the book can enter sagging middle territory and you see that even with all the hard work you have done, you have even more hard work stretching out before you. I felt all of that this week. I even gave myself two days off because I just couldn’t face the book a couple of times. There is a chance I might not hit my word target this week.
To add to the draw of not being at my computer, I bought myself a new toy; the Olympus Tough TG-5 camera. It takes super-close photos (along with about a million other things I haven’t yet worked out). So I’ve been out in my garden playing with it. This is a lot more fun that forcing myself to squeeze out story. It also doesn’t help that I’m not confident the story is going in the right direction. It took a turn I didn’t expect, and I don’t know if I’m up to taking it where it wants to go.
But I’m going to try really hard to have a big Sunday and see if I can at least get close to the word count, because I know this hard reality; the only thing harder than week 2 of a Wri-Mo is week 3. So head down, I’d better get writing.
See below for some of this week’s efforts with the new camera…
I’ve got my sketchy novel plan ready, I’ve got my writing schedule pinned on the wall and I’ve got my tea bags stocked up. I’ve taken such a loooooong break from writing recently that it’s embarrassing. I feel ready to write.
I’ve started a page here so you can track my progress (if you are interested). And if you are doing JanNoWriMo, I’d be really keen to hear from you. From my previous experiences with #NaNoWriMo – National Novel Writing Month (held globally in November) and #WriMoFoFo – Write More for Four (weeks) held by my writers group randomly through the year, I always start well and then tank some time toward the end of the second week. Then it is all downhill.
This year I’m more prepared and have more time off, so with luck and more than a little determination I hope to not only hit the 50,000-word target, but hopefully go over. But let’s not put too much pressure on.
Anyway, the other thing that is going on is that 2017 finishes today (and it is Val Kilmer’s birthday)! For me 2017 has been just another year, but for so many of my friends it has been awful. No matter how your 2017 has gone, I hope that the beginning of 2018 is kind to you and inspires you in whatever way you wish to grow. There is nothing like a new year to make a new start.
The end of year is always a crazy rush, and this year has been no exception. But now I have 4 days off before the final run at work, and then it is time for JanNoWriMo (January Novel Writing Month). I’ve never done JanNoWriMo before, but I am very mindful of the fact that it is only one week away, so I hope the anticipation is waking up my writing daemon and I’ll be ready to hit the ground running.
In the meantime, I’m going to eat a bit too much food, and have a couple of wines and then settle down to read (from cover to cover) my novel for which I hope to write the sequel in January. That is my only writing requirement for this long weekend. Everything else is going to be friends, family and more food – because that is what the end of December is all about.
I hope you all find yourself in the company of good friends and family this Christmas long weekend. And if the family aren’t so good, then I hope that they are at least entertaining, or (for the writers reading this) inspirational.
Please take care, don’t drink and drive, or text and drive, or drive off after Aunt Mary said that particularly offensive thing. And if the chance presents itself, show kindness to a stranger. We shouldn’t wait for Christmas to do that, but it is a good excuse.
NaNoWriMo is a global event that most writers have tried at least once. It stands for National Novel Writing Month and the idea is that you write 50,000 words over the month of November. The thing is, NaNoWriMo was invented by people in the northern hemisphere, where November is cold and everything is starting to slow down.
In the southern hemisphere, exactly the opposite is true. The weather is warming up, people start socialising and often we begin our Christmas catch-ups in November. The last thing you want to do is lock yourself away from the first of the beautiful weather and write a novel.
That’s why this year I’m going to do JanNoWriMo. January Novel Writing Month. January is hot in most of Australia, so staying inside an air-conditioned room to hit a word target is very attractive. January is also (for many) holiday time, actually giving us the time to write. And finally; January is 31 days long, giving us one more day than in November to hit our word target.
We are just over half way through December, more than enough time to plan your next project. I’ve got one in mind so I’m going to get as much of the pre-work done in the next two weeks as possible so I can hit the ground running on January 1st.
Can you think of a better way to start crossing off your New Year’s resolutions than by writing your novel in the first month of 2018? Who wants to join me?
I have recently been editing a YA novella on my computer. I thought I’d done a pretty thorough job, so when I downloaded the calibre-ebook maker software, I decided to try this story as my first ebook. Chuffed that I’d managed to work out the software, I uploaded the ebook onto my kindle and took it on the bus with me the next day.
It is amazing how frustrating it can be to read a piece of your work in electronic format when you can’t edit it. I had barely got off the first kindle page and I found an error. A few pages on, a missing word. A bit later, an extra word. Then a word that was very nearly the right word, but it wasn’t the right word. All of this on a piece I thought I had thoroughly edited.
I printed a copy of the story on paper so that I could read it with a pen in my hand. I found a whole collection of other missed edits. I still haven’t found the missing word that I saw on my kindle read. I can’t tell you how much it bugs me that I know it’s in there somewhere and I can’t find it. I’ll need to read the kindle version again.
Something I’ll never understand is why we read different formats so differently. It seems that my brain is most likely to make auto-corrections when I’m reading on the computer. This is rather problematic given that I do most of my editing directly in Word. I pick up the most grammatical errors when reading on paper. And (apparently) I find the most typos when reading on kindle.
I’m lucky this story is only a novella, because I can see that I’ll be reading it many more times before it is actually ready for release. At least I should take heart in the fact that I still enjoy it despite all the re-reads. Maybe that will be the most important part of the edit of all; if I like it when it’s finally edited, then maybe it’s really ready?
This question really is quite academic for me at the moment. In truth I have *no* market, so I’m not restricted in what I write. For the most part the short story magazines I sub to don’t care if I previously wrote like-genre stories. In fact half the time they strip your name from the submission so the short story stands alone, regardless of the author.
Novel publishers are different. They care deeply about what you have published previously, or what else you can give them if they pick up your book. I’ve always had the attitude that I’ll worry about that when my first novel gets picked up. But that approach was easy to have when I only had two novels written.
Now I have written a YA science fiction novel, an adult fantasy novel, a YA dystopian future novel, an Adult near-future science fiction novel and a YA science fiction novella. Recently I re-started an adult fantasy novel I’ve been picking at for over a decade, but then walking home the other day I kept thinking about a YA horror novel that is finally falling together. Not to mention that my adult horror novel keeps bugging me, asking me why I left it hanging.
None of these novels are similar to each other. Right now, if one of those pieces got picked up I would struggle to get any of the others shoe-horned into a similar genre. Which begs the question of what should I be working on next? Do I continue to write what I want to write, or do I start trying to specialise? Given none of the novels I’ve finished so far have been picked up, maybe I’ve gone totally wrong with what I’m writing anyway, and I should experiment with something totally different? Is it worth considering the market with my choice of what to work on next?
If I’m honest with myself, I’m starting to think that none of my novels will ever get picked up. I’m seriously considering the possibility that my only readers will be me, my beta readers, and possibly whoever clears out my crap when I pass off this mortal coil (in the very, very distant future).
So I guess that really does answer the question; my market is me, so I should continue write what I want to write. Now all I have to do is work out what that is. Easy 😐
Writing a novel takes a lot of time. Editing a novel (for me) takes even longer. There are a lot of hours in a novel, or even in a long ‘short’ story. My experience has been that exuberant enthusiasm has never held on for long enough to get me to the end.
Motivation to write generally falls into two different categories; carrot and stick. The carrot is things like imagining typing the words ‘the end’, visualising your novel in a book shop, or the burning desire to get your characters through this testing time and see them out of the terrible situation you put them in.
Then there is the stick, which is where pretty much all of my motivation comes from. The stick is things like not wanting to stay in your day job, knowing how disappointed you’ll be in yourself if you get to the end of the week without having written any new words, and the old chestnut of all-pervasive writer’s guilt – which sucks the joy out of all non-writing moments, rendering even the most delicious Haigh’s chocolate unpalatable.
Recently I have tried to find a different carrot method by looking at other successful people and asking myself ‘what would they do if they wanted to be a writer?’ These people don’t have to be writers, they just need to be people who have pulled their finger out and succeeded at something through hard work and determination. They also need to be people you genuinely admire.
How it works is this; you find yourself spread out on the lounge with the cat curled up beside you and some terrible reality TV on the screen. You’ve had a tough day in the office and you are considering finishing off that bottle of wine you opened on the weekend. Then you ask yourself ‘What would <insert person-you-admire’s name here> do right now?’ If you’ve picked the right person it will hopefully get you off the lounge and into your novel.
I’ve been using this for over a year now, and it has helped me get to the computer time and time again. By the time I write my first sentence it all becomes about me again, and wanting to finish the story, but when it comes to getting the computer fired up and the TV turned off I really need to give credit these other people.
Of course the previous two weeks where I didn’t write a word show that this doesn’t work all the time, but it has worked often enough that I’ll continue to use it. And to be honest in the last week I have written nearly 5,000 words and the question I’ve been asking myself is ‘what would *I* do if I was serious about being a writer’ and that feels a whole lot more positive. It also means I can appreciate my Haigh’s chocolate again.
Okay, so I thought I had the answers about how to get stuff written. I was wrong. This new, dark novel is killing me. It’s like wading through a cold tar pit in the dark with a blindfold on. I have no idea where I’m going, my progress is slow and it is terribly uncomfortable. I’ve decided that I can’t spend this much time is such a bleak space. It is making me depressed, and this isn’t what I want from writing.
I get the feeling I would need to be in a super-happy place in my life to have the resilience required to write this novel, and something tells me that if I was fortunate enough to find myself in that place I wouldn’t want to write the novel. I really can see that there is a reason why I have only written dark short stories before. If you can’t close the door on the story with a ‘the end’ before you walk away from the computer, it follows you around.
So for the first time in two years I’m going to have to concede defeat; I’m quitting the novel. I have decided it is best for my mental health, and it is much better to make this decision two weeks into the project rather than two months (or more). It also leaves me quarter of the year to finish something else. And after the two weeks I’ve just had, I think it is going to be something fun.
It will be interesting to see how my outlook on the rest of my life changes (if at all) when I start spending my imaginary life in a better place. I think there might be a much bigger crossover between my two worlds than I realised. I’m still not sure what is crossing over which way though. I hope changing the fiction will change the fact. I can’t keep eating this much chocolate.