Screenwriting

This week I attended a screenwriting course. I’ve been trying to write a screenplay for a very long time and have never got more than about 20 pages in. I start to wander off into excessive descriptions about the surroundings, or worse, I drop into the thoughts of the main character. Neither or which are acceptable for screenwriting.

I was hoping this course would give me some tips about how to manage these sorts of things, and show examples of other scripts and how they deal with these situations. It didn’t. It’s my own fault for not reading the course description properly, but the course was more about the overarching structure of screenplay stories.

As a short and long-form story writer, I found the rules thing quite strange. I know scriptwriters are hung up on ‘rules’ of story structure far more than novelists. Everything must fit into 3 acts, the story should fit a beat sheet or plot plan, etc. I was prepared for that. But we looked at stuff like the types of power a character has and the exchange of that power. We looked at all sorts of things that I would just heap into the ‘stuff that happens’ pile.

If I tried to keep all these ‘rules’ in my head when writing a script, I would never get a word written. I find it hard to believe that scriptwriters keep all this stuff front of mind when they write. I think if the truth be told, they just stick to the same ‘rule’ as novelists; make sure you include a goal and motivation for your protagonist, and squeeze in some kind of conflict and hey presto, you have a story.

After today I think I’m almost ready to conclude that I am not a screenwriter. It’s a bit sad really.

One thought on “Screenwriting”

  1. Specialisation is the key to efficiency so not really surprising that you didn’t take to screenwriting after so many years of short and long stories. Why, you’ve even started applying metrics to your writing!

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