The tin rule of ing-ism

Previously I’ve written about some of the ‘golden’ rules of writing. These are the ones that you should never break. There are also some ‘silver’ rules of writing, which can be broken, but best not to. Then we get to the ‘tin’ rules –those that can be broken, but only when you know when the rule should be applied, and then make the choice not to. Don’t underestimate tin, it has value, there is a reason why they recycle it and it is not just to avoid landfill!

Ing-ism is a tin rule.

Many new writers (me included) have a habit of using an excess of ing words, particularly in descriptive prose. As children it was encouraged, but as adults we need to exorcise ourselves of it (to an extent). Take these examples;

 “… an old shutter dangling at a precarious angle…”
“Reaching in, Lee flicked out…”
Or the double-barrelled “…crouching in the doorway, he started smiling.”

In and of themselves they are not so bad, but if they are stacked one on top of the other they can read terribly! Let’s look at their ing-free versions:

 “.. an old shutter dangled at a precarious angle…”
“Lee reached in and flicked out…”
“…crouched in the doorway, he smiled.”

You can see that the ing-free sentences are much tighter and easier to read. This is particularly useful if you are trying to write fast-paced prose or build tension. Ing words soften the writing and will subtly undermine your pacing and sometimes the tone.

Obviously ing is not a sin, some ing words will need to stay (I have a couple in the paragraph above), but I can almost guarantee you that not all the ing words in your most recent ‘first draft’ need to be there. Go back and see how many you can swap for their ing-free versions.

 As I said, it is a ‘tin’ rule, you can ignore it, but make sure that you are consciously ignoring it and not just being lazy with your editing. Give it a try next time you edit, you’ll be amazed at the difference it can make to your work.

Happy writing,

Nat

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